Today I’m talking
with Aaron Smith, a fellow Pro Se Press author whose book, Nobody dies For Free, just came out in June. Aaron was kind enough
to answer a few questions about his influences and what makes him tick as a
writer. Read below and be enlightened!
Q: When and how did
you start writing fiction?
Aaron:
I think I was born with a writer’s brain in the
sense that I’ve been making up stories for as long as I can remember, but it
took me thirty years to realize I could actually be a writer! In 2008, I answered
an ad that Ron Fortier had posted, looking for pulp writers for Airship 27
Productions. I wrote a short
sample piece—flash fiction is what it would be
considered—although I don’t think I knew the term at the time. It was about a
vampire having an argument with Adolph Hitler! Ron liked the sample and asked
me if I wanted to contribute a story to his upcoming Sherlock Holmes anthology.
I was blown away. My first writing job and it gets published and involves my
all-time favorite fictional character!
So that started it and the ball kept rolling and
I’ve been writing ever since and never want to stop.
Q: Who or what are
some of your influences?
Aaron:
Well, I truly believe that all creative people are
influenced on some level by almost everything they’re exposed to, whether it’s
something they like or hate, but to narrow it down to books and other forms of
entertainment, I’d certainly have to list the following writers: Ian Fleming,
H.P. Lovecraft, Sir Arthur Conan Doyle, Robert E. Howard, Roger Zelazny, JRR
Tolkein, Bram Stoker, Isaac Asimov, Stan Lee and all his collaborators, Agatha
Christie, and Edgar Rice Burroughs. I should also mention the original Star
Trek series, the films of Alfred Hitchcock and Otto Preminger, the Universal
and Hammer horror movies, and a lot of the music I’ve listened to over the
years which ranges from jazz of the ‘30s and ‘40s to Led Zeppelin, Pink Floyd,
and the Beatles.
Q; Your latest
release, Nobody Dies For Free, is
available from Amazon and Barnes & Noble. Tell us a little about it and
where the inspiration came from.
Aaron:
I think it was inevitable that I would eventually write a
spy novel. After all, I’ve loved the genre since I saw my first James Bond
movie at the age of seven. So
Nobody Dies
For Free was inspired by a lifetime of enjoying that type of story and is
influenced by the Bond novels and movies, the writing of Tom Clancy and John
LeCarre, the Jason Bourne movies,
Mission:
Impossible, the British spy series
Spooks,
and
Taken, which is easily my
favorite action movie of the past decade or so. Those are the influences I’m
aware of, but I’m sure other stories I’ve encountered, whether in books or in
films or comics or wherever, played a part in the book coming together, too.
Nobody Dies For
Free is the story of Richard Monroe. He’s been a CIA operative for years,
loyal to his country and skilled in the ways of espionage. He’s been stationed
in Paris for some years and fallen in love with a French woman. He takes early
retirement and marries her, intending to stay in France and enjoy a danger-free
life. But when we first see Monroe, he’s on the steps of the Paris Opera,
cradling his dying wife in his arms. Somebody’s shot her. Monroe goes a little
off the deep end after this and uses his skills to track down the assassin. He
kills the hitman who shot his wife, but ends up being caught and thrown into a
Turkish prison. He’s soon sprung and brought back to the United States where
he’s recruited back into the clandestine services, but there’s a difference
this time. He won’t be working for a publicly known agency like the CIA or FBI,
but will instead be a lone agent reporting to a mysterious supervisor who will
assign him to missions too secret or sensitive to ever be made public. Monroe’s
mode of operation is staying as far under the radar as possible, using no
gadgets or over-the-top technology, but relying instead on just a car, a gun,
and his wits.
Nobody Dies For
Free is my first full novel for Pro Se Press, a wonderful New Pulp company
for whom I’ve done several short stories in the past. It’s available in print
or as an e-book for Kindle or Nook.
Q: What else do
you have coming out that you’d like to talk about?
Aaron:
Just last week, the latest issue of Pro Se
Presents magazine was released. In that, you’ll find the newest story to
feature my detective character Lieutenant Marcel Picard. The last Picard story,
which came out in the same magazine several issues ago, got some of the best
reviews I’ve ever received for my work. Something about Picard, who is a former
professional hockey player who now catches killers, seems to have really
attracted a set of followers among the readers of New Pulp.
A few months ago, Airship 27 Productions released
Quatermain: the New Adventures, in which
Alan Porter and I each wrote a novella about H. Rider Haggard’s classic
character Allan Quatermain.
And over the next few months, I have two more
novels coming out. In August will be
Across
the Midnight Sea, which is the sequel to my first vampire novel,
100,000 Midnights.
Then, right around Halloween, my horror novel,
Chicago Fell First will be released.
This one’s about zombies and how a small group of strangers are brought
together in the face of tragedy and chaos.
This has been my busiest year as a writer. It’s
tiring at times, but it’s also great fun.
Q: What about
writing do you find the most challenging, and how do you deal with these
issues?
Aaron:
As much as I love writing, I’ll admit that it has
its rough points. It can be hard to find time to get the writing done when you
have to work a day job (as most writers do, despite what you see in the
movies), but the solution, I find, is discipline. Set a goal for yourself, say,
a thousand words a day, and stick to it unless it is literally impossible not
to. No excuses unless circumstances make it absolutely unavoidable.
Then there’s rejection, which can sometimes be
hard to accept, but you have to keep in mind that the editor or publisher who
rejects your story is judging a series of words on paper, not judging
you personally. If he doesn’t like it,
maybe the next editor will.
There are a lot of frustrations that go with
writing, such as worrying that your books aren’t selling well enough, or having
too many ideas to devote enough time to each of them (yes, sometimes too much
inspiration can feel like a bad thing!), or the long periods of waiting between
writing a story and having it come back from editing, and then the other waiting
between preparation and publication. All these things can be hard to deal with,
but I find that, most of the time, the good outweighs the bad. We writers are
the brave ones who throw ourselves out there where the world can see all the
crazy things that go on inside our heads. We give the most intimate thing
imaginable to our audiences: the contents of our minds! And sometimes we get
lucky and they give something back, like a nice review, a comment about
enjoying the book, or just the simple act of buying a copy.
So yes, being a writer can be challenging, but
it’s the peripheral stuff that’s hard, never the pure act of writing. That’s
sheer joy, release, maybe even destiny for those of us who can’t imagine ever
stopping. That’s why we do it, I think. At least I know that’s why I do it. The
story has to come out and live beyond the womb that is the writer’s mind.
So I guess that’s the best way to deal with the
difficulties. Just keep writing.
Thanks for your time Aaron and best of luck in all your future endeavors!
Here are a few links to find out more about Aaron's writing: